Brooklyn Museum’s “Art in the Age of Black Power” Exhibit & The BSAC “Age of Black Power” Edition Lineup

Burnt Sugar Arkestra. Photos by Shane Nelson

The Brooklyn Museum of Art’s “Soul of a Nation: Art in the Age of Black Power” exhibit shines a light on a broad spectrum of Black artistic practice from 1963 to 1983, one of the most politically, socially, and aesthetically revolutionary periods in American history. Black artists across the country worked in communities, in collectives, and individually to create a range of art responsive to the moment—including figurative and abstract painting, prints, and photography; assemblage and sculpture; and performance.

Many of the over 150 artworks in the exhibition directly address the unjust social conditions facing Black Americans, such as Faith Ringgold’s painting featuring a “bleeding” flag and Emory Douglas’s graphic images of beleaguered Black city life. Additional works present oblique references to racial violence, such as Jack Whitten’s abstract tribute to Malcolm X, made in response to the activist’s assassination, or Melvin Edwards’s contorted metal sculptures. Working as a collective, members of the AfriCOBRA group presented images of uplift and empowerment. Barkley Hendricks, Emma Amos, and others painted everyday portraits of Black people with reverence and wit. All the artists embraced a spirit of aesthetic innovation, but some took this as their primary goal, often through experiments with color and paint application.

This exhibition will run from September 14th, 2018 to February 3rd, 2019 and bring together for the first time the excitingly disparate practices of more than sixty Black artists from this important moment, offering an unparalleled opportunity to see their extraordinary works side by side.

Soul of a Nation: Art in the Age of Black Power is organized by Tate Modern in collaboration with the Brooklyn Museum and Crystal Bridges Museum of American Art, Bentonville, Arkansas, and The Broad, Los Angeles, and curated by Mark Godfrey, Senior Curator, International Art, and Zoe Whitley, Curator, International Art, Tate Modern. The Brooklyn Museum presentation is curated by Ashley James, Assistant Curator, Contemporary Art, Brooklyn Museum.

Leadership support for this exhibition is provided by the Ford Foundation, the Terra Foundation for American Art, Universal Music Group, and the Henry Luce Foundation. Additional support is provided by the Brooklyn Museum’s Contemporary Art Committee, the Arnold Lehman Exhibition Fund, Christie’s, Raymond Learsy, Saundra Williams-Cornwell and W. Don Cornwell, Crystal McCrary and Raymond J. McGuire, Megan and Hunter Gray, the Hayden Family Foundation, Carol Sutton Lewis and William Lewis, Valerie Gerrard Browne, Hales Gallery, Tracey and Phillip Riese, Connie Rogers Tilton, and Jack Shainman Gallery.

#soulofanationbkm

Burnt Sugar the Arkestra Chamber (Brooklyn Museum of Art “Art in the Age of Black Power” Edition)
Greg Tate – conduction/guitar/laptop
Carl Hancock Rux – vocals/spoken word
Bazaar Royale – vocals
Mikel Banks – vocals/conduction
Shelley Nicole – vocals
Julie Brown – vocals
Julia Kent – cello/electronics
V. Jeffery Smith – tenor sax & effects
‘Moist’ Paula Henderson – bari sax/ewi
Vijay Iyer- acoustic piano/electronics
Leon Gruenbaum – keyboards/samchillian
André Lassalle – guitar
Ben Tyree – guitar
Jared Michael Nickerson – electric bass
LaFrae Sci – trap drums